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What begins as a lark becomes an ordeal once the general runs into Old Chen (Tien Pien), a former army compatriot who now owns a successful New York restaurant. "The Wedding Banquet," which starts out as a sophisticated light comedy, gradually darkens as it goes along.
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Since the Gaos speak only rudimentary English, the lovers and Wei Wei feel free to squabble in front of them in English. Adding to the confusion is an apparent language barrier. Night after night, Wei Wei, who can't even fry an egg, serves her future in-laws homemade dinners that are actually prepared by Simon. The lovers' apartment, divested of tell-tale gay accouterments and redecorated with Chinese artifacts, is transformed into an austere guest house for the parents' two-week stay. Simon is presented to the Gaos rather preposterously as their son's landlord and roommate. On one level, "The Wedding Banquet," which opens today at Angelika Film Center and the Lincoln Plaza Cinemas, is a contemporary bedroom farce in which lovers go to extravagant comic lengths to conceal the nature of their relationship. Gao, who live for the day they will have a grandchild, insist on flying all the way from Taipei to New York City to meet the bride.
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A naturalized American born in Taiwan, Wai Tung is marrying only to please his parents, a Taiwanese army general (Sihung Lung) and his proper wife (Ah-Leh Gua). The bridegroom, Wai Tung (Winston Chao), is a gay real estate entrepreneur who lives with his lover, Simon (Mitchell Lichtenstein), in Greenwich Village. The kicker to the celebration is that unbeknownst to almost everyone, the marriage is a sham. Enforcing a prankish Chinese custom, the revelers refuse to leave until the exhausted couple, huddled under their bedclothes, have shed every last stitch of clothing. No sooner have they retired to their hotel room than their suite is overrun with boisterous wedding guests. The newlyweds are coerced into kissing ostentatiously and into drinking so many obligatory toasts that they are left reeling. In the movie's virtuosic banquet sequence, 300 wedding guests gorge themselves on a sumptuous feast that leaves many of them literally retching from overindulgence. The Chinese wedding banquet that gives his funny and poignant comedy of manners both its title and its most riotous moments is an opulent nuptial celebration that refuses to end. All entries must be properly uploaded and received by the film festival in DCP format two months on or before the festival event for consideration.If the lavish bar mitzvah has become a familiar comic set piece in movies over the last two decades, Ang Lee's film "The Wedding Banquet" introduces its Asian-American counterpart in festive excess. Works in progress will not be considered for competition or screened at the film festival. The link must not be visible to the public. Entries should be submitted by secure password-protected internet link to the work on: or. GENERAL RULES Submission Guidelines: The World International Film Festival accepts online screeners for submission purposes. Final jurors for the World International Film Festival will come from a selection of industry professionals in film production, distribution, new media, and festival programming from Sundance, AFI, Slamdance, SXSW, and more.
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A substantial number of accredited national and international press, TV and film buyers and distributors also participate.
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Filmmakers planning on attending should notify the film festival as soon as possible, so their names may be listed in the scheduled program at the venue where their film will be shown. A jury of industry professionals will then view the finalists and choose the winning selections.